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Starring Prithviraj Sukumaran, Sreejith Ravi, Vijayaraghavan Sreekumar, Miya, Vijayaraghavan, Suresh Krishna and Meghana Raj. Arya 2 is one of the most loved movies of Allu Arjun.
It is my hope that this comprehensive survey of almost every facet of the German World War II Luftwaffe might be of interest for military historians, specialists, collectors of militaria, aircraft “buffs,” and war-gamers, as well as to provide the wide circle of interested and curious readers-those with little specific knowledge in this subject-with a general overview on German World War II aircrafts. The objective of the work is to provide a reliable and stimulating source of information and reference for serious students and the interested lay reader alike. In short, the reader will encounter in these pages almost all Luftwaffe aircraft. Together with the most important aircraft, such as the Bf 109, Ju 87, Fw 190 and Me 262, great attention is also paid to large numbers of lesser-known planes, never-developed replacements, rarities, and experimental designs-some totally extravagant and lunatic, others potentially viable but much too ahead of their time. In this book the most familiar and best-known Luftwaffe aircraft are all included, and sorted by type: bombers, fighters, jet fighters, seaplanes, transport aircraft, and miscellaneous. The subject of World War II German aircraft is vast and sometimes hopelessly compli-Ĭated, and my intention is to approach it in as simple a way as possible. By 1945, the changes had been profound, culminating in the world’s first jet fighter, the Messerschmitt Me 262. In 1935 German airmen used planes much the same as had been used by their fathers in 1918 by the end of World War I. Hitler’s reign from 1933 to 1945 was a period of unusual, prolific advances in aircraft design. The German Luftwaffe saw unparalleled changes in the design and use of aircraft. Weapons are now too expensive, large and complicated to ever be treated with the same degree of experiment as they were then. The Second World War provided an arena for the airplane to prove its deadly worth, and such a period may never recur. The period 1939–1945, an era of rapid change and experiments, is still of great fascination for the student of weapons in general and military aircraft more particularly. The introduction of strategic long-range bombers also helped to initiate “total war” involving civilians as industrial weapons producers and therefore as targets. On the battlefield, the aircraft became critical to intelligence, reconnaissance and artillery direction, and soon for ground-support operations and bombing raids. Demanding resources and technical and financial investment on a whole new scale, the expansion of military activity in the sky also fundamentally changed the nature of war itself. Introduction One of the most significant innovations in warfare has certainly been the appearance of air power during the First World War (1914– 1918). A special thanks to Dan Johnson’s internet site (and his team of computer artists, who were of great help providing data and inspiration for the illustrations for the sections about German experimental and jet aircrafts. 397Īcknowledgments My gratitude to Jeannette and Jan à Stuling, Eltjo de Lang and Ben Marcato, Wim Wiese, and Peter De Laet. McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 Table of Contents Acknowledgments. On the cover: Digital illustration by Jerry Boucher of two Messerschmitt Bf 109E-7Bs during the 1941 Balkans Campaign (Manufactured in the United States of America All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. World War, 1939–1945-Aerial operations, German. Airplanes, Military-Germany-History-20th century. Includes bibliographical references and index. Aircraft of the Luftwaffe, ¡935–¡945 : an illustrated guide / Jean-Denis G.G. LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Lepage, Jean-Denis. McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London LEPAGE AND FROM MCFARLAND Hitler Youth, 1922–1945: An Illustrated History (2009) The French Foreign Legion: An Illustrated History (2008) German Military Vehicles of World War II: An Illustrated Guide to Cars, Trucks, Half-Tracks, Motorcycles, Amphibious Vehicles and Others (2007) The Fortifications of Paris: An Illustrated History (2006) Medieval Armies and Weapons in Western Europe: An Illustrated History (2005) Castles and Fortified Cities of Medieval Europe: An Illustrated History (2002)Īircraft of the Luftwaffe, 1935–1945 An Illustrated Guide JEAN-DENIS G.G. The Options section allows you to set the default audio device and additionally, to enable/disable startup animation, animation sounds, and automatic startup at boot. User efforts are reduced to selecting the type of content they wish to play (audio / video / games) and the speaker / headphone configuration.īased on the type of stream you want to enhance, you can adjust controls such as 3D Space, 3D Center, Trubass, Speaker Size, Focus, SRS Definition, and Limiter (select between level 1 and 8). It’s safe to say that it acts just like a virtual sound card, processing the stream before it physically arrives in your speakers or headphones. Regardless of your software preferences, the plugin automatically adjusts the player to output the finest sound possibly. The combination of WOW and TruBass techonology improved your audio streams, whether you were aware of it or not.Īs for the rest of the media players, SRS HD Audio Lab is not picky. If you’re a Windows Media Player user, than you’ve tested the influence of SRS HD Audio Lab, because it’s bundled in Microsoft’s player by default. Its reputation is based on remaining faithful to powerful patented audio technologies that automatically build the optimal environment for the ultimate sound experience. SRS HD Audio Lab acts as an audio plugin for your preferred audio / video player (whichever that is), enhancing the sound noticeably during the playback of media files. This equalizer also has rich harmonics and interactive mid bands with a fat musical tone. The FG-S is a digital recreation of one of the most famous British console equalizers from the 80’s. The FG-401 is perhaps the most versatile mix compressor in the world, and it can sound good on any source you feed into it! After that we added an input transformer stage – but not just any transformer, the famous transformer from the British Class A Console! This adds a beautiful warmth and sheen to the compressor, and lastly we added an entirely unique second circuit path that provides an additional smooth and rich tone. First, we gave it variable attack and release with increased range, which added more tonal options. The FG-401 started as a recreation of the classic British console channel compressor, but morphed into a whole lot more. Audition signal chains faster, easier, and in real time with the Slate ‘VMR’. Moving modules around is easy, fast, and creates no break in audio playback: mix and match filters from different EQs, chain an EQ before or after your compressor, or create a different A and B setup and switch between them. This allows you customize your own channel strip in any order you choose, with the signal flow following the visual order of the modules. The ‘VMR’ operates as a virtual 500 series-style rack with hot-swappable modules, putting your entire processing chain in ONE WINDOW. When using it in the first slot, the Trimmer allows you to define how the signal will hit the following VMR module, with a precise output level monitoring.Slate Digital VMR Complete Bundle v1.5.0.1 WIN The Trimmer is a useful module that performs a few basic but essential operations within the Virtual Mix Rack: RMS and Peak Level Monitoring, a simple Trim control and a Phase Reverse Switch. The FG-116 sounds great on everything from lead vocals and drums to bass guitars. From its trademark timing characteristics to the extremely musical sound of its transformer, the FG-116 gives engineers and producers the musical and fat tone that has made the hardware so famous. The FG-116 is a precise replication of the classic American FET limiter, and no expense was spared capturing every nuance of this amazing device. This equalizer is lush and fat, and it sounds great on everything you send through it. The hardware only contained one mid band, but we added another to make the Brit-N even more versatile than the original. All aspects of the circuit were modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The FG-N is a digital recreation of one of THE most classic discrete Class A British equalizers from the 70’s. This is the ultimate workhorse mix eq that can be used on any track – great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers. Audition signal chains faster, easier, and in real time with’VMR’. Moving modules around is easy, fast, and creates no break in audio playback. Chain an EQ before or after your compressor. Mix and match filters from different EQs. This allows you customize your own channel strip, with signal flow following the modules, in any order you choose. The ‘VMR’ operates as a Virtual 500 series rack with hot-swappable modules, putting your whole processing chain in ONE WINDOW. Virtual Mix Rack includes four world class mix modules, including two classic equalizers and two versatile mix compressors, with more modules to be developed. Files: Each file has its own preview icon and meta data. Subtitles: The app can load UTF-8 formatted *.srt files, after a movie has been started Profiles: Each user/headset can have their own specific configuration. Projections: Dome, Full Dome, Curved (Large curve), Plane (Flat), Cylinder & Spherical Supported Devices: Any device running iOS 8.1 can install the app, but iPhone 5S/iPad Mini (Retina) and above provide a great experience. Cardboard QR scanner available for quick setup Supported HMDs: None (Mono), None (SBS), Cardboard, Altergaze, Firefly, Custom. Free version limits video playback to the "first" five minutes. 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Mobile VR Station is a media player designed for Virtual Reality with head tracking. Sorry Weezy fans! The iconic rapper was expected to drop his latest much-anticipated mixtape on Aug. Don’t let a few quotes about his taste in music ruin a friendship and create a huge, bitter feud! When Future gave Billboard off the record quotes, an error in translation was bound to be made - that Future even admitted to! Plus, if Future files a lawsuit over lost wages due to being cut from the tour, the drama between you two could go on for years! Drake - You Should ForgiveĬadillac owes Macklemore bigtime Sir Mix A Lot, Schoolboy Q roll Caddys in 'White Walls' You’ve done collaborations together before, and you even invited him to tour with you. Here’s why you should forgive Future, since he apologized to you! Drake, you and Future go way back. He was just expressing his opinion about both of your albums. Admit it - Future wasn’t directly saying anything rude about you. Drake, 2 Chainz andĭrake: You Should Forgive Future, He Wasn’t Trying To Diss Youĭrake - you don’t want to be in another feud, especially with Future, your friend that you invited to tour with you. Miguel) - " Power Trip" Kendrick Lamar - "Bitch, Don't Kill My Vibe" Best Collabo, Duo or Group Winner: A$AP Rocky (feat. 28, he won four awards including Best Hip-Hop Video for "Started From the Bottom." Check out the full winners list below: Best Hip-Hop Video Winner: Drake- "Started From the Bottom" A$AP Rocky (featuring Drake, 2 Chainz and Kendrick Lamar) - "F-in' Problems" B.o.B (feat. Drake also took home some brass, and though he wasn't at the taping of the show on Sept. The young rapper took home five awards during the televised award show, including Lyricist of the Year and Album of the Year, as well as delivering a knock-out performance. 15), and the big winner of the night was Kendrick Lamar. The 2013 Bet Hip Hop Awards were held on Tuesday (Oct. Lil Uzi Vert’s ‘Eternal Atake’ Lived Up to the Hype. DJ Self wrote that he”was loved … never heard one bad thing about you Rip Sleep Well my brother. In the picture, he held up a closed fist, writing on Instagram, “I’m in here with this 19 sh–! Please keep me in y’all prayers!!!” More from DeadlineLee Konitz Dies: Saxophonist Who Led Jazz's 'Cool School' Had Coronavirus Complications, Was 92Shirley Knight Dies: Award-Winning ' Sweet Bird Of Youth' Actress Was 83Tom Lester Dies: 'Green Acres' Actor Was 81 Condolences poured in online from Fred the Godson’s friends. He had asthma and had impaired kidney function as a complication of Covid-19. Born Frederick Thomas, the South Bronx rapper had earlier sent out a picture of himself on a ventilator. His death was confirmed by his friend, DJ Self. The pandemic has claimed yet another young victim, as New York rapper Fred the Godson has died from Covid-19 at age 35. View this post on Instagram A post shared by T-Raww The 'Well Done Fever' mixtape which begins with T-Rawwįred The Godson Dies: New York Rapper Had Covid-19, Was 35 "Quick meal… Welldonefever.Com Xmas day!!!!!!! he captioned the post. View this post on Instagram A post shared by T-Raww He also shared another post, which featured the full list of songs appearing on the fifth installment of the Well Done series which Tyga and DJ Drama introduced ten years ago, reports HotnewHipHop. "#Welldonefever Mixtape - Xmas Day Drop A… If U Ready! he wrote. Taking to Instagram, the 'Make it nasty' crooner posted the new album's covert art which is set to drop on December 25. Earlier this week, the 31-year-old rapper announced the release of his latest project titled 'Well Done Fever' featuring DJ Drama. Tyga just surprised his fans with a new mixtape on Christmas eve and fans are loving it. International human rightsmechanisms have repeatedly called on Slovakia to remove barriers to and ensureaccess to safe and legal abortion. In addition, theadoption of these proposals will be contrary to the fundamentalinternationallegal principle of non-retrogression. If adopted, the legislationwill undermine Slovakia’s compliance with its obligations under internationalhuman rights treaties to guarantee women’s rights to health, privacy,information, to be free from inhuman or degrading treatment, and the principlesof non-discrimination and equality in the enjoyment of rights. In addition, the EuropeanCourt of Human Rights has held that “nce the legislature decides to allowabortion, it must not structure its legal framework in a way which would limitreal possibilities to obtain it” and has underscored that European states have “a positive obligation to createa procedural framework enabling a pregnant woman to exercise her right ofaccess to lawful abortion.” They havemade itclear that “uch restrictions impede access to information and services, andcan fuel stigma and discrimination” and have called upon states to “nsurethat accurate, evidence-based information concerning abortion and its legalavailability is publicly available.” International human rights mechanisms have underlined that medicallyunnecessary legal restrictions on the availability of evidence-basedinformation on sexual and reproductive health, including safe and legalabortion, contradict states’ obligations to respect, protect, and fulfilwomen’s right to the highest attainable standard of health. The proposed prohibition of “advertising” on abortion would lead torestrictions on access to evidence-based information on abortion care and wouldhave a chilling effect on the provision of such information by medicalproviders. Similarly, the WHO hasstressed the importance of ensuring all women have access to evidence-basedinformation about abortion and their entitlements to legal reproductive healthcare. No other EU member state imposes on women a requirementto undergo mandatory ultrasound for obtaining abortion care and no other memberstate requires that women view ultrasound images or listen to the “foetalheartbeat” before abortion. If this legislation isadopted, Slovakia would be the only EU member state to impose these harmfulrequirements on women. Instead, the WHO has underlined that women’s decisions to accessabortion care should be respected and that safe abortion should be “deliveredin a way that respects a woman’s dignity, guarantees her right to privacy andis sensitive to her needs and perspectives.” International human rights mechanisms have stressed that states must ensure theavailability and quality of safe abortion services in line with the WHO safeabortion guidelines, including removing measures that attempt to dissuade womenfrom accessing abortion care. As confirmed by the World HealthOrganization (WHO), there is no medical reason for routine ultrasound prior toabortion. There is no medical reasonwhatsoever for the proposed changes. It would violate therequirement that medical decision-making must be free of coercion, and that apatient’s consent to medical procedures should be given freely and voluntarily. If adopted, this legislation will harmwomen’s health and well-being, obstruct their access to safe abortion care andviolate Slovakia’s international human rights obligations.įorcing women in Slovakiato undergo a mandatory ultrasound, view the ultrasound image and listen to the“foetal heartbeat” before abortion would undermine their privacy, personalintegrity, autonomy in decision-making about health care and would subject themto harmful stigma, humiliation and degrading treatment. Our organizations aredeeply concerned by these proposals. We are writing to expressour deep concern regarding current legislative attempts to roll back on thereproductive rights of women in Slovakia.Īt this time the Parliamentis debating new draft legislation that would require women seeking abortioncare to undergo a mandatory ultrasound scanning, to view and obtain theultrasound image of the embryo or the foetus, and where technically possible,to also listen to the “heartbeat of the embryo or the foetus.” The proposedlegislation also seeks to prohibit “advertising” on abortion and to impose afine of up to 66,400 Euros on those who order or disseminate it. Members of the NationalCouncil of the Slovak Republicĭear Members of theNational Council of the Slovak Republic, Download ABBYY FineReader OCR Pro v12.1.5 torrent. The Intelligent OCR Solution For Streamlining Document Conversion. I have just started using finereader 11 prof' to OCR Simplified Chinese. 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ABBYY FineReader Professional Editor's ReviewĪBBYY FineReader is an optical character recognition software that is able to scan documents and readily converting images of documents such as scans, photographs, and PDF files into editable and searchable electronic formats. Sade continued to gradually refine and expand their cosmopolitan mix of jazz, R&B, and pop, and continuously decelerated their writing and recording process. and earned sales certifications in several other territories. Diamond Life eventually went quadruple platinum in the U.K. In the U.S., it was issued on Epic subsidiary Portrait in early 1985 and reached number five that June, with "Smooth Operator" doing most of the heavy lifting as a crossover smash that climbed to number five on the pop and R&B charts and topped the adult contemporary chart. albums chart - became one of the biggest mid-'80s debuts. single "Smooth Operator," Diamond Life - itself falling just short of the top spot on the U.K. Produced by Robin Millar, the album was written primarily by Adu and Matthewman in tandem, finished off with a cover of Timmy Thomas' 1972 hit "Why Can't We Live Together." Reinforced with the number 19 U.K. Another single, the down-but-not-out soul anthem "When Am I Going to Make a Living," preceded the July release of the full-length Diamond Life. singles chart and the following month peaked at number six. The London-based quartet made their recorded debut in February 1984 with the controlled yet expressive ballad "Your Love Is King," which soon entered the U.K. Denman, keyboardist Andrew Hale, and saxophonist and guitarist Stuart Matthewman. Adu was pursued as a solo act, but she signed with Epic after demanding to bring along some of her partners in Pride: bassist Paul S. John - drew attention from label representatives. These segments, specifically "Smooth Operator" - composed by Adu and the band's Ray St. Their gigs eventually featured a mini-set during which Adu was granted the spotlight, backed by some of her bandmates on intimate jazz-inspired material. After she finished her course work in 1981, she joined the band Pride and into 1983 toured the U.K. A lover of early-'70s soul, Adu tentatively became involved with music after enrolling at Saint Martin's School of Art to study fashion, when friends asked her to help with their group's vocals. Born in Ibadan, Oyo State, Nigeria, Adu moved with her mother and brother to southeast England outside Colchester at the age of four. Sade are named after singer and songwriter Helen Folasade Adu. Additionally, Sade are four-time Grammy winners, having invalidated the Best New Artist curse with subsequent wins for "No Ordinary Love," Lovers Rock, and "Soldier of Love." Seven years after the latter took the award for Best R&B Performance, they returned with contributions to the soundtracks of A Wrinkle in Time and Widows. Top Ten, and in both countries have achieved platinum status. All six of Sade's albums have entered the U.K. From Diamond Life (1984) through Soldier of Love (2010), breaks between Sade albums have increased in duration from a year-and-a-half to a decade, but each return has been warmly greeted. Although they're known most for stylishly seductive ballads, including the international hits "Smooth Operator" (1984), "The Sweetest Taboo" (1985), "No Ordinary Love" (1992), and "By Your Side" (2000), they've also recorded poignant songs regarding slavery, immigration, parenthood out of wedlock, and everyday struggles, often through Sade Adu's third-person narratives. hit "Your Love Is King" (1984), Sade have remained, across four ensuing decades of intermittent activity, shrewd synthesists of classic jazz, cutting-edge R&B, and mature pop. |
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